Archives for posts with tag: series on remembering

remember when i constantly talked about “nostalgia for the present“? that was the spirit of this blog initially, but it has now become more about travels and central asia, which is probably not a bad thing since no one really benefits from my rambling memories.

I was reading some old notes and came upon this from November 2007. Funny how I don’t think about this as much as I used to, because some other things have layered over it. Funny things, time and memory.

“moving through vast stretches of the green tibetan plateau, i felt an incredible calmness. my soul was light; i wanted to laugh, and cry, all at once, for the beautiful loneliness of life. there my spirit was free, there i felt truly happy, truly alive. there are various such moments in my life, such brilliant precious points of time—a brief parting of clouds, light shining through and illuminating for a second the intersections between self and that great motion of existence. but such moments are by nature transient and fleeting. every other moment must be spent trying to recapture that sense of splendid being.”

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Looking over uzbek vocab for exams, waiting for my 3 am meal, i listen to some sean-nos reliving in my mind life in ireland and missing it all over again. Ciaran o con cheanainn, traolach o conghaile, caitlin ni chualain, mairead ni mhaonaigh, cathy jordan…

I think of journeying down to cork for the oireachtas, unprepared wandering into strangers but finding only friends in a night of songs, then driving back through the comaraighs the next morning with cormac and grainne talking about free state dairy and giving up “irish” for the real deal living life as it should be in the gaeltacht;

Sitting in the trinity dining hall with my hodge podge group of friends–sean the older gentleman in a stetson, alex the irish muscovite awkward and endearing, always breaking into song at the most unnatural moments, delicate nathan who made me want to curl up under a rowan tree with a tome in hand, errigal in sight, and the sound of waves night and day, and dear beata, anemic dressed in black velvet and corduroy, transplanted to aberystwyth from warsaw in pursuit of welsh, who was dating a tennessee country rocker over skype and who dreamt of metallica at night–us all talking about old irish grammar, excited to crack into the tain bo cuailnge…

Wandering the streets of dublin–sitting in iveagh gardens in stillness, poring into glass cases for hours at the chester beatty, second hand shops on camden street, living off cans of beans for less than a euro coin from tesco and biscuits from lidl, eating a fruit and nut cadbury bar every day on the way to class, grafton street bustle around nollaig, going to celtic conferences full of old people who wanted to argue about which cornish revival movement was better, walking around the city or taking the train out to howth with beata who obsessively collected coins lost on sidewalks, magners or bulmers at the pub and then grabbing a cheap late night fish and chips on my way home, prim welsh lessons at the royal irish academy, spending lots of time salivating over old manuscripts.

And of course bussing out to donegal, my donegal: roadside brambles of blackberries nettles rushes and bog heather, turf fires, boiled cabbage and potatoes, plenty of tea with milk, planting fuschia, chopping wood, chasing bold rams, the wonderful deirdre and my little antoin at the house on the stream, and the ceol, oh the music sessions… But my brain is already too weary, exhausted from these memories, and there are but two hours left before i must feast, ramadan style.

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Books and stories connect me to memories of certain places, times, travels, not through direct content recall, but merely remembering the act of reading in a certain context. Faulkner in transylvania being of course the prominent example.

I have been reading orlando here. Some quotes:

Sights exalted him–the birds and the trees; and made him in love with death–the evening sky, the homing rooks 10

Orlando naturally loved solitary places, vast views, and to feel himself forever and ever and ever alone 12

He loved beneath all this summer transciency, to feel the earth’s spine beneath him… For he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening 12-13

She beheld the eagle soaring, and imagined its raptures and made them her own. Returning home, she saluted each star, each peak, and each watch-fire as if they signalled to her alone 90

Time has passed me over, she thought…, nothing is any longer one thing. I take up a handbag and i think of an old bumboat woman frozen in the ice. Someone lights a pink candle and i see a girl in russian trousers. When i step out of doors… What is it that i taste? Little herbs. I hear goat bells. I see mountains. Turkey? India? Persia?

a quick break from the summer travelogues. i jotted this down a couple weeks ago:

as i sit underground in the musty lights of penn station’s grab-and-go consumerism, waiting for the train that will carry me to pennsylvania, i read while sipping a cup of black tea with milk. every cup of black tea with milk i drink outside of ireland is a reminder of absence. the absence of ubiquitous, inexpensive, but flavorful tea (called just plain tea, but perhaps elsewhere packaged as “Irish breakfast tea”–which never seems to be as satisfactory). the absence of fresh, rich, sweet, and creamy donegal milk; i am reminded of my friends’ chatter on how irish dairy is the best in the world–even cadbury milk chocolate tastes better in the “free state” than in “the north” because of the dairy used; i am reminded of the absence of tea on the hour, every hour (nearly). then all memories of my time in ireland resurface in full force.

perhaps plov could be said to function as a similar mnemonic reminder of absence for my time in central asia. a few months ago, i dreamt that i was walking along a road, knowing that i was walking home to a big plate of plov ayajon and dilnoza had been preparing all day. i was right at the bend of the road turning toward the house when i awoke, never having reached it. the anticipated aroma lingered on my tongue into wakefulness.

photos:

nope that is not tea, actually. it’s not even real coffee, but rather coffee of the “nescafe” sort, popular around parts of the world such as central asia. though whenever i drink it, with lots of milk of course, i am reminded of west africa, particularly mali and burkina faso where you can stop at a street stand for a cup and some baguette with jam.

and the second photo is not from ireland either. though the cottage looks authentic no? it is from the irish famine memorial slivered into a space between the tall glassy buildings of the financial district. i took a stroll around there midweek, testing out a little holga lense i got just for fun.

buried in the depths of winter and the lovely gray freeze of new york city, the heat of dushanbe seems very far away. (a different sort of heat than that of the tropical pacific i just visited–more on that later.) in brief spurts at random times, memories of dear past places can be intensely recalled and suddenly i become overwhelmed. but this is not such a time. i must dig into my notebooks to stir up this sense of past being. my notes are sparse and vague, in comparison to what i have from say new mexico, or russia. still, what i find wakes some echoes:

“flying into dushanbe in the dark night sky was when i first felt the elated sense of travel on this trip. looking out into the darkness, the moon was a copper crescent low and small on the horizon. the darkness above puckered with the milky shine of countless stars. the lights on the ground below–dushanbe–echoed that canopy but burned in even brighter clusters…

on our way home, we walked to see the botanical garden but heavy dark storm clouds were already rolling in. we stopped to pick ripe white mulberries and only got a glance at the bog’ (garden). then as i walked into the hovli (courtyard), Aziz and Madina came running in with shirt and skirt full of small bruised apples. ‘мы собираемся яблокa!’ ‘we are gathering apples!” they shouted excitedly pulling me along after them. their grandfather was there, laughing when he saw me in tow. the rising wind picks up huge clouds of dust and they surreptitiously creep onto the neighbors plot, picking up the last few fallen fruits…

here in bed in dushanbe, listening to ceol as gaeilge, reminded of my time in ireland and somehow as a result of all my time alone, of independent travels–that is, away from my family, from nyc, from the people that dearly populate my ordinary life. as i listened to a song about the comaraigh mountains, i thought about that drive fromo cork to dublin with grainne and cormac, of all my possible but lost lives… i cried today reading about what has been happening in osh. trying to imagine in my mind those narrow tree-lined streets becoming a battlefield, the bustling bazaar a slaughterhouse…

there have already been quite a few moments when i’ve realized and thought, i will miss this moment, here in dushanbe, when i am gone from it. interestingly this is often during the cooler light of dusk or night, quieter moments when the city is still gently stirring. i love the relaxed atmosphere, the outdoor cafes, walking or waiting for the bus, sitting below a still green persimmon tree in our courtyard at home. and this all brings me to think about osh. i am not up to date on the news except for what people have been reporting to me in emails. i wish i could do something, something which needs to be done, but i don’t know what at all. it is still so sad and shocking trying to imagine what things must be like there…

this way i am sitting and feeling now, and times like this, i so consciously know i will be missing soon, despite the fact that what i sometimes miss here are the lights, streets, sounds and emotions of new york. sitting now at the яхмос outdoor cafe, all the times from late afternoon through the dull light of  a creeping dusk and the palpitating heart of dushanbe at evening… the mountains above panjakent looms in my mind, the specks of stars in the lampless courtyard of samanda in tursunzoda; what will perhaps never be repeated again.

…at times i think that nothing touches me at all, except the open spaces, lights tucked in dark corners, and the uncollapsible, ever-penetrable sky.

after classes today, i met up with dilnora and nilufar to go to visit nilufar’s family in tursunzoda. we hopped into marshrutka 22 to its final bend, then climbed into a 5 som cab past fields and vineyards, an imposing yellow-smoke-spouting aluminum factory, the girls flirting with another darkly bearded, scraggly but handsome passenger the whole way. nilufar’s family actually lives in a village outside tursunzoda city. the grape vines were thick in each hovli in her village, cows were driven home at twilight through the streets by boys with mosquito-pecked legs. in evening, the air grew cooler, stiller; even all the flies left, huddling somewhere discrete to bed for the night. dilnora, nilufar, negora, and i (along with the talkative little nephew and niece) strolled around eating sunflower seeds, spitting out the thin split slates of shells. on my way to the outhouse before bed, i took a peek at the sky through grapevines and was swept away by the clarity. nilufar’s mother laid out thick ko’rpacha layers for beds, velvet plush, flowery. i sank down and lay watching nilufar and dilnora preparing for the next afternoon’s exam together. it reminded me of late night study “parties” with friends at home. but nilufar was three-months pregnant, returning to her husband in qurg’onteppa after graduating; dilnora was engaged to marry a man in october, she’d only ever spoken to him over the phone and he couldn’t make it back in time from russia for their first arranged meeting. they stayed up late reviewing notecards then woke up at 6 am to finish reviewing. i slept.”

ok i am tired of typing

visiting my parents for the weekend before leaving for dushanbe. i will try to update abroad, but since i’m not bringing my computer, i’m not sure how frequently i’ll be able to or if any will be accompanied by photos. you can be sure, however, that i’ll be chronicling with pen and camera.

my parents have so many gems of old photos, some below:

more old photos of friends from my childhood here

One week in my recent life that I very often return repeatedly to reflect upon is that week two years ago my dear friend Charlotte and I spent WWOOFing in New Mexico. I came back upon notes I took while still there (I have many bits and bobs written as reflections later on), so I guess this would be the closest I have (besides perhaps, photographs) to the experience itself.

First Night in Silver City/Pinos Altos-Indian Joe’s Place (Mar. 15, 2008)

We drove a few miles down winding dirt paths. The bushes and brushes on either side of the road rose up around our old minivan, swaying branches brittle and gray before the shine of headlights and desert dust. 4838 was Indian Joe’s address, but in the dark of night, number placards on their thin wooden posts became invisible. We pulled into a yard. This was 4838, was it? A wooden shack stood lifeless and half-dilapidated, no signs of inhabitation for the last decade perhaps. “But look there,” pointed Matt—and we saw further back, a juniper tree surrounded by two trailers and the orange glow of fires. The yapping of dogs greeted us as we pulled in. Star and Tilly raced around in a frenzy. “Cut it out!” Indian Joe yelled, “I’m gonna shoot you two if you don’ listen.” He was a short man with long gray hair held back with a bandana. No one really remembered his name; he was just Indian Joe—his father had come from Mexico and settled in the mining town of Santa Rita del Cobre. Indian Joe was a space cadet—“born in space” because Santa Rita no longer existed. When copper ore was discovered below the town itself in the late 1960s, the townspeople were evacuated and Santa Rita was no more—it was carved out from the earth and all that remained in its spot was a gaping hole, a whole lot of a space.

The party was already over and the guests were leaving. “Oh but you must stay! I love second waves of guests.” His wife Marie served us pulled pork and cole slaw. Indian Joe introduced us to roasted elephant garlic. We devoured a leftover platter of bread with spinach dip. Indian Joe poured us some wine and we had a few beers. He was sufficiently drunk already. “I drink only cognac and wine,” he told us, “when I’m done with the cognac, I move onto the wine.” We huddled around a warm stove fire in his yard—Indian Joe and Marie (him cooing over her the whole time, talking about how he had walked the world for so many years, but had never loved until he met her), his brother Greg, his visiting daughter Christine, three dogs: Star and Tilly, littermates, and Cedar, who had never been around other dogs until that evening, Emily, singer-songwriter from Quebec traveling through the southwest and Mexico to California with her boyfriend Matt, a 33 year old videographer in their cozy Westphalia, Haley and Shana, who had been WWOOFing at the llama refuge since November, but in a few days were to return to their life in New Hampshire. Emily had her guitar out, singing, and then we were all singing. Indian Joe stopped and pointed up at the moon fuzzy under a thin cloud of veil. “I want you to look up. Look there.” And began singing, “The moon is high and so am I…” Indian Joe went away to live in California for 21 years. But three years ago, had finally decided to come back and he and Marie settled down on the land his family owned in Pinos Altos. He worked in the mines there again. He told us a story of the time he sat his son down under a tree and said to him, “Do as I say, not as I do.” And his son took it to heart and turned out to be twice the man he was. Indian Joe beamed. He was proud of his son. We restoked the fires many times, but at last we let the embers run their course and stood to leave (after many other long discussions and engaging conversations too full to write all here). Indian Joe gave each of us warm hugs, “Aw, come back, you are so gorgeous. You are wonderful…” He gazed at all of us with a smile, his eyes a bit red from the liquor, but full of such joy, such sincere welcome.

Thoughts 3.15.08 on hike to Gomez Mountain:

We in our academic language, intellectual metanarratives, constant evaluations and analyses that have come to shape and define our worldview, live in the hyperreal. When we tell stories or experience things in our own lives, we constantly seek to find a place for that personal experience in the larger cultural narratives that exist. But these people here, living their own lives, their own experiences are in “reality” itself. They create that “reality” of life our writers, artists, and philosophers reflect upon. Their stories are the real substance of books and movies, which create an imagined sphere in which the rest of us then try to locate ourselves. We are on the fringes of something always looking in. But we also command the power, control discourse in society, uplifting our own values as the norm, so in the end, they too are marginalized in their own fringes in their own way. What is the core essence of life that still remains? It’s an onion, but here the peeling doesn’t matter. It is what it is and couldn’t shouldn’t be anything more.

Haley and Shana reading horoscopes without cynicism, incredulity, nor with purposeful attempts to believe the supernatural either. My Gemini horoscope telling me that I am someone who constantly thinks a lot about everything, perhaps too much. Now, it says, I need to give my mind some rest and take a different approach. (I don’t remember the exact words, unfortunately.)

Emilie going to Tuscon, Arizona—the last time she’d been there was six years ago under very different circumstances. Her best friend had gotten pregnant; they were just street kids then. It would be interesting to see how the city would seem this time around.

Sabine and Bina—her mysterious illness that determined so much of her life. She was born in Morocco to a Danish father and Italian mother, who raised her very strictly and sent her to an elementary school run by drug addicts-turned-evangelists, later shut down by the police for their whippings of children. When she was ten years old, the French government hospitalized her. She hadn’t returned home until just six years ago. Her life had been dictated by her illness, living here and there for treatments, even going to India for eight months seeking homeopathic cures. She called Spain her home and had been working there at SOS, a dog shelter where she found Bina. Now they are inseparable. “We are soul mates,” she says, “I was blessed with her.” She and Bina are traveling around Canada and the US WWOOFing. She finally decided to try to really experience life, to get out and do something. She is unaware of so many things, has no clue about many of the very basics of functioning normally in a society. She is eager to learn and asks many questions, but at the same time constantly apologizes for her idiocy. She is a mess—has no money, an old hatchback that keeps running into problems, she loses her teeth brace which is necessary for her to chew food, misplaces various important documents, can’t figure out how to use her cell phone… yet, when I watch her calling out to Bina in a mix of Spanish, French, Arabic, and Bina bounding over, and the two of them walking together down every dirt road winding through pine forests of sunset sunlight; or Bina prancing about, lying in the sun in the yellow grasses as Sabine shovels dirt or hauls hay, I envy them, that devotion to each other, that simple freedom of movement.

Reading Willa Cather’s The Professor’s House out here in southern New Mexico. Her story of Tom Outland describing his life out on the mesa—that time being a life in itself, happiness was not an unreachable concept, but the fact of each day out there among the high colors of sky and piñons. And when the professor reflects that the “realest of his lives” was his boyhood in Kansas, “little as there had been of it,” I wonder about myself. Will I think about my years alone (why is it that I feel now as if things are different, though they do not actually seem to be under careful scrutiny?) as my “realest of lives?” I am still dreaming of the freedom of the Tibetan steppes, but it feels different now, feels more concrete in a way. Will I think of my realest of lives as that time of dreams, amorphous sensations of vague fancies; of sunset shark valley grasses and European villas and trails?

Baxter’s yurt and music jam sessions; the man with the mule who disappeared into the forest one day: “We have many people like that around here. They are called forest children, except they aren’t children.”

Silver City has its own hippie population; it is a full mix of graying flower-children, twenty-something jammers, and their dred-locked wild-haired babies. They all showed at the rock concert at the Silco Theatre. In the colorful spins of rave lights, the whole lot of them beat out a dance to the music, with their bare feet, arms flailing, the old, young, toddling, and newborn all together. Brown-haired (dred-locked) grey-eyed Sammy asked me my name. “Grace,” I said. He paused as if recovering from a sudden blow. “Wow. Grace. That is such a perfect name for you.”

Hopefully going back in summer, but here’s another bit of something from my travel notebook; recalling Kg in Istanbul.

Sept 4, 2009

This is always the dilemma I seem to get caught in; I am very much missing Kyrgyzstan–though I am just one day gone from it–(or is it Osh? the people? or certain moments? the memory of these moments?) But it is not merely that I can’t go back–because indeed I can go back to the places and see those people again; and not only is it that it is impossible to go back to past moments, but it is whether or not I would actually even want to go  back. They have perhaps only become so precious because they have passed and gone.

But let me not reflect upon the character of missing and memory now; let me merely dwell in the sheer effect of nostalgia and relive certain moments in my mind–

walking around the city, the various people strolling about, the colorful headscarves, the tall felt hats and stout embroidered round hats, the non in neat piles, the Шоро girls, the smell of shashlik, and the watered sidewalks. The whole atmosphere of the place I am missing now, but also the feeling that I wasn’t altogether strange there–that’s what made it feel more like home… There is too much, I can’t do this right now–sitting in front of the Blue Mosque in Istanbul, unnoticed and unnoticing the tourist hordes, lost in the memories of a different time and place.

… I look at all these different places wanting to go there, because I think, I wonder what life there would be like. But I could never know, I will always be on the outside; I look at the red tile roofs of Bosnia and wonder that, the lit cities of Yerevan, Baku, Tbilisi, and wonder that. But that is the one way that Couchsurfing is really wonderful, especially when I couchsurfed in Bulgaria, and most of all in Plovdiv with Mariyana.

I was looking across the Bosphorus and it was a lovely scene, but so foreign for me (not just in the usual sense of “foreign” since that would be no deterrent for me), but due to present circumstances and present mindset. I was just trying to pass the time and though it is a vibrant and interesting city, it didn’t come alive for me on this “in-between” day. And really that’s what today felt like: an in-between day, in its own taking no great value. And I wondered what would happen perhaps if this in-between day extending into a long term, much more than just a few days (story idea?). The protagonist coming from somewhere and on her way going somewhere, anticipating, but the in between stretches and can’t be escaped out of. Where she is, she can only penetrate the surface of things, cannot connect deeply with anyone during this period, thinking she is etched with no deep emotions resulting from this phase…

When things happen, they occur in the realm of the ordinary, in the unrepeatable pace of the everyday. It’s a thin film unrolling or a thread in constant unravelling (or ravelling); the unpausable speed of continual happening and passing makes every occurring instance too “light” (in Kunderan terms) to be contemplated or to be important. It is memory which adds the various dimensions and gives events a deeper importance. Things are re-ravelled and re-unravelled in the mind; the ordinary becomes beautiful, haunting, mythical. In Russia and in Kyrgyzstan, I often encountered the phrase “для памяти”. Often it will be a physical object, like Galina Andreevna giving me an amber necklace, or Shavkat wanting me to leave him my tin whistle. I guess the idea is that through usage of that object, you can retrieve the memories of the giver. Then there are forms of remembering very popular in my culture–through photographs (ok i guess popular everywhere with easy access to this technology, because of its directness, the visual snapshot) and music. Songs can be terribly nostalgic for me, and thus everywhere I go, I try to request/find music–sean-nos and sessions in Ireland, Uzbek and Kyrgyz songs from Shavkat, music they play on the buses in West Africa (and horrendous music videos), Russian radio and праздник performances… Then there are the stories, like those repeated over and over again by the folks in Ireland and in small town/ rural America, so much so that almost ordinary happenings merge into the realm of tall tales. In Ireland, people didn’t so much talk about exchanging objects “for memory” because the tales were beginning to simmer.

Something related to this that I read in my Memory, Music, Displacement class–which seems to be a continual source of ideas and inspiration–this one written by my teacher Melissa Bilal who is a Ph.D. candidate in ethnomusicology at UChicago and focuses on Armenians in Turkey; from her article “The Lost Lullaby and Other Stories about being an Armenian in Turkey”:

She writes about lullabies “as a medium within which memory is shaped by women’s standpoints in transmitting both personal and collective stories…. they keep and transmit the registers of the unarchivable elements of a culture.” They hold and express memories of unspoken displacement and loss, transmit family and personal history; “Memory is stored in substances that are shared, just as substances are stored in social memory which is sensory.”

illustration by Penny Davenport

Some notes i dug up from one of my travel notebooks… it is interesting here to see the other flip side of the home/travel sentiments echoed in the post “home“. perhaps we ought to break down that dichotomy.

I am in Osh now at last. I am alone in the guest-house, and it’s bringing up memories in my head of other times I have been completely alone in a near-empty guest house: in the Asenovgrad Hotel in Bulgaria (where I went for a late afternoon hike up to the dramatic Assen Krepost nestled among the green hills of Orpheus); in Guru Humorului in Southern Bucovina Romania (the old woman ushered me there from the train station, I strolled around, lone stranger in the streets, passing haystacks and deserted graveyards to visit painted monasteries, fed off of sausage bread and beer i bought from the grocery); at the Errigal Hostel in Dun Luiche Donegal (going for walks on the low-tide bay, ambling to the poison glen in misty rain with the dogs my only companions, watching the rain and gray over a bowl of soup-packet soup in the spacious, deserted common room.

There have been a few moments of late when I’ve felt really tired, like I’ve been too long away, and want some real rest. (Travel is not for “relaxation”!) But it is a good sort of tired, it further invigorates…

(Suddenly this place I am now reminds me of Mac’s Refuge in Sevare… the evening prayers have just sounded and there it was the morning in the streets; also the air here is hot and dry there is a certain atmosphere which is reminiscent of that part of Mali.)

I am reminded of the quote from Emilie Clepper’s song (the French Canadian girl with guitar and a magnetic voice in cowboy boots I met in New Mexico, who sang under the stars at Indian Joe’s trailer house as we munched on elephant garlic)–”home is not a place if I roam it is that state of mind.” And while i do truly feel this, at the same time, I still feel in certain moments the pull of “home” among friends, close to family, the familiar activities and even the routines. It has its attractions too…

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